Once the winners are announced, post your designs here for everyone to see!
Everiine said: The reason population is low isn't because there are too many orgs. It's because so many facets of the game are outright broken and protected by those who benefit from it being that way. An overabundance of gimmicks (including game-breaking ones), artifacts that destroy any concept of balance, blatant pay-to-win features, and an obsession with convenience that makes few things actually worthwhile all contribute to the game's sad decline.
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Item: Watch Type: Timepieces Org: IW Designer: Arimisia
Commodities: iron 50 silver 20 gold 20 gems 20 gold 10 coal 11 redtint 1 mammoth 1
Mortal Reviews: Allowed
Space: 0% Furniture Type: Normal Furnishings
Outdoors: No Container: No Can Have Lock: No
IMPORTANT: The main noun MUST use one of these: WATCH
Appearance:
an intricate clockwork watch
Dropped:
Lying partly open, an aged watch rests here at risk of being broken.
Examined:
Fitting perfectly into one's hand, this timepiece is encased in a smooth polished metal. Cool to the touch, the metal is aged; lush dark bronze in some areas to almost gold in other areas. The stem-wind sits at the top of the watch, well oiled so that the watch can be wound back up. A silver chain has been attached to the end, masterfully crafted into a braid that appears and feels much like scales. The lid is slightly domed, the outer most a soft coppery colour with runic designs etched around the setting in the centre. The setting is made of crystalline glass giving a view to the face of the clock lying beneath. Attached with a tiny hinge, the lid is held securely shut with a small locking mechanism that allows for the lid to be easily flipped open to reveal the time. The face of the clock is protected by a thin piece of glass that fits smoothly into the metal fixture that is the sides and back. An aged off-white surface lies beneath the glass adorned with numerals evenly spaced around the clock face, the only one standing out being the "XII" at the top, which is in red where the others are in black. The face has been removed between each of the numerals and the centre leaving a thin border around the outer edge as well as an inner one leaving the centre open. Beneath the face many intricate cogs and gears slowly turn giving a soft ticking sound, occasionally moving one of the two tiny arms that indicate the time.
went through designs in my forgining cartel and submitted this
Item: Helm Type: Greathelms Org: BLF Designer:
Commodities: steel 40 gold 20 roc 5 redtint 5
Mortal Reviews: Allowed
IMPORTANT: The main noun MUST use one of these: HELM
Appearance:
a crested helm of black steel
Dropped:
A crested helm of black steel lies here in the dust, forgotten.
Examined:
Blackened steel makes up the majority of the oval shaped great helm that is made for a very small person, shaped to fit the smaller breeds of furrikin. The helm itself has a wide brim of forged gold that sweeps downwards to protect the cheeks before sweeping upwards in the front and back, ending in points at both ends. The sides of the helmet bear the images of a small mouse furrikin mounted upon the back of a wyvern in gold. The top of the helm has a sweeping crest of gold, accentuated by a plume of several long red feathers slanting off towards the back of the helmet.
Comments:
Item: Katana Type: Masterweapons Org: KC
Commodities: silver 120 steel 120 iron 120 diamond 30 silk 10
Mortal Reviews: Allowed
IMPORTANT: The main noun MUST use one of these: KATANA, SWORD
Appearance:
a viciously serrated, diamond-edged katana of sterling damascus
Dropped:
A silvery katana bearing a viciously serrated blade lies here, forsaken.
Examined:
Refined Delport silver, hardy Rockholm dwarven steel and robust Angkrag
iron ore have been fire-welded together and then folded countless times
under the intense heat of the forge to create a breathtakingly beautiful
triple-striated damascus pattern. The combination of metals bestows far
greater flexibility and strength to the blade than could be achieved by
utilising any single material, giving it the ability to bear a viciously
serrated leading edge, perfectly designed for inflicting deep, grievous
wounds upon an opponent without damaging the weapon itself. Adding even
greater strength to the blade, diamond dust has been liberally permeated
all along the killing edge, imbuing it with a fascinating sparkle while
also bonding with and further reinforcing the metal. The shimmer of the
gemstone, however, does little to offset the menace of those threatening
protrusions, arching like a row of sharp teeth along this curved weapon
and poised to rend flesh from bone indiscriminately. A flat, steel disk
forms the rounded crossguard of the katana, the image of a snarling wolf
engraved on the top side, curling his furred body about the base of the
blade with a protective posture. Two long, ebony silk strips wrap about
the handle of the weapon, woven meticulously around the full-tang handle
and one another in the unique style traditional to the katana. Reaching
the silver-capped pommel, artfully etched images of wolves seem to leap
out in a synergy of furred forms, depicting a wolf pack caught mid-hunt.
Item: Katana Type: Masterweapons Org: Pn
Commodities: steel 175 silver 175 silk 20 moonstone 10 onyx 10 silveressence 10
Mortal Reviews: Disallowed
IMPORTANT: The main noun MUST use one of these: KATANA, SWORD
Appearance:
a howling katana of the hunter in moonlight eternal
Dropped:
Giving out a gentle, argent glow, a silver-steel katana is dropped here.
Examined:
Suffused with a subtle sterling effulgence, this weapon's curving blade
bears a faint, argent glow reminiscent of Mother Moon's visage, as if a
shard of her luminous countenance had been drawn down from the sky, and
then masterfully forged into this ethereally beautiful katana. Only the
purest silver and steel has been used, fire welded and folded countless
times to fabricate a flexible yet durable composite, its surface awhirl
with a myriad of silver and grey-brindled striations. The mild ethereal
glow emanating from the silvered steel was achieved with silver essence
generously imbued into the metals during careful process of folding. An
intricately swirling circular pattern engraves the entire length of the
katana, designed to channel the air over the finely sharpened edge with
each swing, the blade singing with a surreal, sonorous howl akin to the
melancholy cry of a lone wolf. Paralleling this unique, musical tone is
the engraved motif of a howling wolf at the base of the blade, its head
tilted back in a perpetual, melodious release, a forlorn expression set
upon its lupine countenance. The crossguard is comprised of a geometric
sphere of the same silver-steel alloy used in the blade, silver essence
imbued into the surface to bestow a soft glow upon the orb, likening it
to the full moon. Set equidistant around the circumference of the globe
are six gemstone disks of moonstone and onyx. The foremost gem, forward
of the blade's edge, is a pure disk of moonstone which seems to reflect
and slightly amplify the gentle glow of the metal beneath it, clearly a
representation of the full moon. Counter-position to the moonstone disk
is an onyx stone, equal in shape and size to the former, decorating the
reverse side of the spherical crossguard and clearly depicting the moon
in its new phase; while the moonstone disk seems to reflect and amplify
the glow from the essence-infused metal, the onyx stone appears to draw
in the argent light utterly, leaving only the deep, inexorable darkness
of oblivion to greet the eye. The last four disks, each comprised of an
onyx and moonstone segment, decorate the remnant of the crossguard with
two of each stone forming into a quartet of crescent-shaped pieces. All
six stones are arranged to demonstrate Mother Moon's never-ending cycle
of change: the waxing crescent and gibbous moon phases appear along one
side, the full moon rises at the front, the waning gibbous and crescent
moons run back along the other side, and the tenebrous new moon, in all
of its lunar glory, all playing out upon the luminous silver-steel base
of the metal, and glowing with Mother Moon's essence. The last touch to
the piece is an elaborately wrapped hilt of pure, alabaster silk in two
strips, both of which are woven meticulously about the handle and about
one another in the criss-crossing style traditional for the katana, and
finally culminating in a perfectly round pommel of glowing silver-steel.
Item: Standard Type: Standards Org: Silverblade Designer: Rhaell
Commodities: wood 50 cloth 20 faeleaf 20 greentint 5 emerald 5
Mortal Reviews: Allowed
IMPORTANT: The main noun MUST use one of these: STANDARD
Appearance:
a standard of the Northern Forest
Dropped:
Looking like a fallen branch, a standard of the Serenwilde lies here.
Examined:
A supple stave of sturdy moonhart wood branches into a T-shape, from the
limbs of which is draped a verdant banner, proudly displaying imagery of
the Serenwilde forest. Three concentric circles have been woven into the
forestal fabric with silver thread, depicting Mother Moon in Her visible
phases. This lunar imagery is a backdrop to the regal image of the White
Hart. Completing the piece, a large emerald has been meticulously carved
into the antler-like shape of a moonhart leaf, and crowns the top of the
wooden T-section of the banner.
Item: Ring Type: Weddingbands Org: D-c Designer: Rhaell
Commodities: silver 200 beryl 2
Mortal Reviews: Allowed
IMPORTANT: The main noun MUST use one of these: RING, BAND
Appearance:
a wedding band depicting a wolf and fox entwined
Dropped:
A lustrous silver band lies here, bearing a depiction of a fox and a wolf.
Examined:
Purest silver has been painstakingly wrought into a circular band, every
edge rounded and polished to a flawless sheen that never ceases to glint
in the available light. A flowing pattern of interweaving lines has been
lovingly engraved along the outside of the ring, one set merging into an
intricately detailed fox on half the ring, the rest depicting a fearsome
wolf. The tails of the two canids curl about one another upon the bottom
of the ring, and their canine snouts are tenderly nestled together along
the top. Two contrasting coloured beryl gems are placed atop the ring, a
honey golden variety set in the eye of the fox, and a bright blue in the
eye of the wolf, the two gemstones made to look as if they were cut from
the same stone, each half completing the other.
Time to start working on next year's designs! Although, this year, the design I did in the least amount of time, and second to last in all my beauty submissions, is the one that got me a placing, so who knows!
a stained glass tea bottle of sun-blanched magnolia
Dropped:
A vision of fragility rendered in sun-blanched magnolia hues, a tea bottle of stained glass has been set here.
Examined:
Expertly wrought from pale, tinted glass, imbued with the warm hues of white, sun-blanched magnolia and nectarous, jewel-toned amber, a cylindrical tea bottle has been rendered an opalescent vision of fragile beauty. The bottle's facade manifests in intricate detail the unfurled blooms of the magnolia tree, anthers curled protectively within each golden heart; the smooth, relucent veneer is divided by branching lines of onyx, illustrating the fluid lineaments of every berylline blossom. Awash with subtle ombre gradations, the stained glass remains unmarred by inadvertent pockets of air, allowing white light to filter through evenly and emerge in faint, honeyed skeins. Similarly sculpted from glass, the bottle's fitted stopper is surmounted by the inclusion of a miniature, pressed magnolia, sheltered from the inevitable passage of time by its sealed glass prison. Affixed to the base of the stopper is a detachable wire cage, poised to be submerged within any liquid contents, intended to hold one's desired herbs, leaves, or dried flowers, so that the fluid may be infused with their sublime essence.